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SXSW: A chat with The Whigs' Parker Gispert

While their debut album hinted at greatness, seeing Southern-tinged indie-rockers The Whigs full-throttle at a string of capacity SXSW shows made it apparent that they very well may be rock and roll's next great white hope.

Riding the underground success of their self-released "Give 'Em All A Big Fat Lip," The Whigs hit the Fader party with a vengeance Thursday (3/15), blowing headlining act Sloan right off the stage. All guitars, sweat and grit, vocalist Parker Gispert maneuvers like a 21st century Mark E. Smith crossed with a young Stephen Malkmus.

Look for the band's self-released album, "Give 'em All A Big Fat Lip," which has since been re-released by their new home: ATO Records.

LiveDaily: Athens has seen many a "movement" from the early days of The B-52s and R.E.M. to Widespread Panic and the rise of the Elephant 6 Collective in the '90s. Presently, The Whigs, Modern Skirts, Phosphorescent, etc., etc., seem to be part of an Athens musical renaissance. How would you describe your town's most recent burgeoning music scene?

Parker Gispert: I think it is definitely a very different thing right now. The Elephant 6 was obviously a closer group who were instrumental parts of each other's records. From producing to performing, etc., I think the scene now is made up--at least from an outside perspective--of a lot of kick-ass bands in different realms. There is a great jam scene and a great experimental scene right now, as well as hard-ass, math-rocking bands like Cinemachanica. Obviously, these bands don't collaborate in the same way that Elephant 6 did, but, nevertheless, it is making for a special scene.

How has being "an Athens band" affected your sound? Have Athens artists, past or present, played into your influences?

The Elephant 6 had an everlasting influence on me. I am a huge fan of the Olivia Tremor Control, Apples in Stereo, Elf Power, etc. Those bands are the reason I wanted to come to Athens and make music, and for that I am forever thankful. The Glands have probably had the biggest direct influence on me. Ross Shapiro is the songwriter I look up to the most, and he lives in our town [and] sells me records at the local CD store. Unreal.

Day to day, what, if any, changes do you anticipate with your recent signing to ATO Records?

Other than all the bitches and blow ... limos and the Olympic-size swimming pool I put in my back yard, not a whole lot.

Were you talking to other labels? What factors played into choosing ATO?

Not really. Things were going great with us doing the record ourselves, and we weren't in a hurry to work with anyone who we weren't going to have fun with. ATO is comprised of good fellows who have a positive attitude towards what is important in music--those things being the music, and not how cool our video is, or how cool I am dressed. Which, by the way, is not very cool.

What are your plans for the remainder of 2007? With ATO re-releasing Big Fat Lip, do you have immediate plans to get back into the studio for a follow-up?

We will hit it in there when we feel the songs are done. We are currently writing on the road--literally, in the van as we drive down the road. Our plan is to continue playing shows through Thanksgiving, then focus on writing songs we are happy with. The plan is to record the record in early February.

What Athens eatery/bar do you miss the most while out on the road touring?

This is the best question I have been asked in quite some time. I would have to say Calientintos. Formerly, Caliente Cab, formerly Pollo Criollo. Salvadorian food at its finest. The Grit and Five Star Day are close seconds, with La Parilla closely behind. I ate some ridiculously right-on Mexican food at Maudi's in Austin and have found Mexican restaurants a let-down ever since. La Parillla is the exception. Everyone's hometown Mexican place has a special place in their heart. Who am I? How can I leave out Last Resort. That place rules. Oh, and Farm 255 is a beat-ass organic place.