Many cynics believed that 2003's "Some Devil" signaled the end of the Dave Matthews Band [ tickets ]. It's not hard to understand that hypothesis.

"Some Devil" was a staggeringly accomplished solo debut that showed Matthews doesn't need bassist Stefan Lessard, drummer Carter Beauford, violinist Boyd Tinsley and saxophonist LeRoi Moore by his side to make great music. The fact is, however, that he wants them by his side. And sometimes, want can be more powerful than need.

The Dave Matthews Band's newly released "Stand Up," its first studio record since 2002's "Busted Stuff," is another winning effort that should absolutely thrill the legions of "Dancing Nancies" and "Tripping Billies." The South African-born vocalist/guitarist, of course, is the star of the show, and he shines brightly on a variety of entertaining material. He nearly whispers his way through the intimate gem "Out of My Hands" and fires up for the Tabasco-hot foot-stomper "Louisiana Bayou."

Yet, he doesn't hog the spotlight. "Stand Up" is definitely a group affair. Moore, who can blast like Clarence Clemons in concert, displays a soft, smooth-jazz touch on the romantic "Stolen Away on 55th and 3rd." Beauford, one of the best drummers in rock, works with Lessard to create a slinky, down-tempo groove on the bluesy "Smooth Rider," and then adds an angelic vocal refrain on "Old Dirt Hill." Producer Mark Batson (Eminem, 50 Cent) uses Tinsley somewhat sparingly and always appropriately, such as on the plucked violin riff at the center of "American Baby."