Live Review: The Black Keys in New York, NY

Saturday night (02/07) at Terminal 5, The Black Keys delivered a robust performance of such bluesy, soulful rock and fierce guitar prowess that its intensity could only be matched by those of classic rock greats. Based on this evening's spectacle, there is no question as to why both shows by the Ohio-based duo were sold out.

Guitarist/vocalist Dan Auerbach and drummer Patrick Carney kicked off their set with "Thickfreakness," the title track from the group's 2003 sophomore album. The synergy between the two performers and childhood friends was apparent as they tore into "Set You Free "and a mesmerizing version of "Girl is On My Mind," which inspired the crammed sea of fans to bob and shake their heads amongst clouds of pot smoke and colorful circles of lights. Every song was met with roars of approval and clapping hands from the audience, which was an eclectic blend of young hippies, 30-somethings and hipsters.

The stage was sparse, its only embellishments being a few circular lights and a tall, inflatable face of an Indian chief. Despite a few brief remarks and introductions from Auerbach, the music remained, appropriately, at the forefront. Both musicians shined during breakdown sections of jams, but the slide guitar abilities of Auerbach probably haven't been seen since Duane Allman.

In what was a seriously magnetic display of blues and garage rock at its finest, the group kept things moving with rousing tunes like "Your Touch," "No Trust" and their version of the 1959 classic "Have Love Will Travel." The more relaxed tempos of "Everywhere I Go" and a cover of Captain Beefheart's "I'm Glad" put the audience into a happy daze. The set included a tasting from the band's entire five-album catalog, but relied most heavily on "Thickfreakness." The duo closed the show with "I Got Mine," before returning for an encore of "Psychotic Girl" and "Till I Get My Way," from 2008's "Attack and Release" and 2004's "Rubber Factory," respectively.

Opening acts Lucero and Heartless Bastards prepped onlookers with their comparable blues and forceful rock sounds. Nashville-quintet Lucero churned out quintessential southern-rock twang and unapologetic country beer-bottle-breaking bar tunes. The group's set list included songs about getting drunk, guitars replacing girlfriends and joining the army. Singer/guitarist Ben Nichols sounds like Bruce Springsteen-meets-Nickelback, while his bandmates provide expected alt-country rhythms and tough, cathartic melodies.

Ohio-formed Heartless Bastards brought some chunky garage-rock sounds that incorporate the vibes of PJ Harvey, Zooey Deschanel and Portishead's Beth Gibbons. Replete with impressive, soul-stirring lyrics and raspy vocals, the female-fronted quartet kept the crowd inspired and captivated with songs from their previous records and the recently released album "The Mountain."

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