Nothing upsets preconceived minds like someone who successfully crosses over to another genre after he has been thoroughly pigeonholed by experts in a previous one. Such was Hank Garland, Nashville's busiest country guitar picker who, with little warning, made a superb jazz album in mid-career and seemed headed for jazz stardom until an auto accident left him unable to perform. As a jazz performer, Garland had a fertile melodic and harmonic imagination and a sound that had apparently honed to the gospel of tone and attack according to Charlie Christian -- with some Les Paul mixed in and more than a touch of Bud Powell's influence as well. But even on his country records (check out Red Foley's sublime "Midnight" and "Hearts of Stone"), Garland's urbane jazz and lues sensibilities can be felt.

Cowpens is a rural suburb of Spartanburg, SC, and while growing up there, Garland absorbed country music from Arthur "Guitar Boogie" Smith and Mother Maybelle Carter on the radio, eventually switching from banjo to guitar. He joined the Grand Ole Opry at 15 in 1945, signed with Decca in 1949 as a solo artist, and appeared on innumerable Nashville recording sessions while jamming privately in local clubs. In July 1960, Garland came forward as a jazz musician, organizing a combo that was scheduled to play the Newport Jazz Festival but found itself on the sidelines after riots closed the festival.