Afro-funk, eggae, samba, salsa, gospel, jazz, Zairean umba, zouk, and makossa are combined through the music of soulful, Benin-born, Paris-based vocalist Angélique Kidjo. Since the release of her self-produced debut solo album, Pretty, in 1988, Kidjo has been embraced by the international press. Kidjo's albums have been strengthened by contributions from top-notch guest musicians and producers. Parakou, her first internationally distributed album, featured jazz keyboardist Jasper van't Hof, the leader of Pili Pili, a Holland-based Afro-jazz band with whom Kidjo had performed at the Montreux Jazz Festival in 1987. Logozo, recorded in Miami in 1991 and produced by Joe Galdo of Miami Sound Machine, featured Branford Marsalis on saxophone. Marsalis later performed on Kidjo's album Oremi. The album features Kidjo singing duets with Cassandra Wilson ("Never Know") and Kelly Price ("Open Your Eyes"). Kidjo's most ambitious album, Fifa (1996), featured more than 100 percussionists, flutists, cowbell and berimbau players, singers, and dancers from Benin and one track featuring Carlos Santana. Kidjo's husband, Jean Hébrail, a French bass player and composer she met in 1987, has played a major role in the recording of her albums.

The daughter of an actress, dancer, and theatrical producer, Kidjo was born in Quidah, a coastal city in the West African country of Benin. Inheriting her mother's love of performing, she made her stage debut with her mother's theatrical troupe. Inspired by the ock, pop, and soul music of Jimi Hendrix, Santana, Miriam Makeba, James Brown, and Aretha Franklin, she was singing professionally by her 20th birthday. Although she recorded an album, Pretty, produced by Cameroon-based vocalist Ekambi Brilliant that yielded a hit single, "Ninive," the oppressive political environment of Benin led her to relocate to Paris in 1980. Although modern technology and electronics played an important role in the recording of her first four albums, Kidjo returned to her traditional roots with Fifa. Armed with eight-track tape recorders and microphones, Kidjo and a team of engineers traveled to Benin to record traditional musicians, singers, and dancers. The album was completed during recording sessions in Paris, London, Los Angeles, and San Francisco. With her next album, 1998's Oremi, Kidjo returned to her futuristic approach. Incorporating elements of hip-hop and Afro-Celtic grooves, Oremi featured a reconstructed interpretation of Jimi Hendrix's &"Voodoo Child (Slight Return)."